2013 Schedule

SPAMALOT

Spamalot, the musical comedy sensation lovingly ripped off from the comedy film classic Monty Python and the Holy Grail, tells the story of King Arthur and his Knights of the Round Table, and was the winner of the 2005 Tony Award for Best Musical.  Join King Arthur, Sir Bedevere the Wise, Sir Galahad the Pure, Sir Lancelot the Brave and Sir Robin the Not-Quite-So-Brave-As Sir Lancelot as they embark on their quest for the Holy Grail.   Along the way they encounter The Lady of the Lake and her Laker Girls, The Knights Who Say Ni, a castle full of rude Frenchmen, killer rabbits and one very determined legless knight.   Songs include Find Your Grail, He Is Not Dead Yet, The Song That Goes Like This, Always Look on the Bright Side of Life and You Won’t Succeed on Broadway.   Spamalot takes British humor to a new level of wit and hilarity.

ONCE ON THIS ISLAND

July 25, 26, 27 and

August 1, 2, 3, 8, 9, 10,
8:00pm.

Once On This Island, a highly original and theatrical Caribbean adaptation of the popular fairy tale The Little Mermaid, garnered eight Tony nominations in 1991 for its Broadway run, including Best Musical, Book and Score. The show tells the story of Ti Moune, the peasant girl who rescues, nurses and falls in love with Daniel, a wealthy boy from the other side of the island.   When Daniel is returned to his people, the gods who rule the island guide Ti Moune on a quest to test the strength of her love against the powerful forces of prejudice, hatred and death.  This tropical treat from the award-winning writer-composer team behind Ragtime tells their tale of romance, tragedy, redemption and rebirth with an astounding score, captivating choreography and an irresistible Caribbean beat.

THE FANTASTICKS

August 15, 16, 17, 21, 22, 23 at 8:00pm.  
Matinee's:  Sunday, August 18 and Saturday, August 24 at 4:00pm.

Talk about a time-proven audience-pleaser! "Try To Remember" a time when this romantic charmer wasn't enchanting audiences around the world. The Fantasticks is the longest-running production of any kind in the world, and with good reason: at the heart of its breathtaking poetry and subtle theatrical sophistication is a purity and simplicity that transcends cultural barriers. The result is a timeless fable of love that manages to be nostalgic and universal at the same time.